Cherry Valance
Before Cherry Valance enters the narrative, Ponyboy paints
the conflict between the greasers and the Socs as irreconcilable. The introduction of Cherry, however, suggests that individual
friendships can chip away at group hatreds. Cherry gets along perfectly well with some of the greasers. She likes Ponyboy
and Johnny because they treat her politely. Dally’s
rude antics do not amuse her. Her disenchantment with Dally’s behavior suggests that she talks to Ponyboy and Johnny
not because she is slumming and their greaser identity fascinates her, but rather because she likes them as individuals. For
a short while at least, she cares more about how each boy behaves than about his West Side or East Side address.
Cherry is not just a sweet, simple girl. She finds herself sexually
attracted to Dally, who is crass and unrefined but also sexy and charismatic. Despite all her attraction to the greasers,
moreover, she is not completely free of group prejudice. She tells Ponyboy she probably will not say hello to him at school,
acknowledging that she respects social divisions. Although Cherry plays a relatively small role in the novel, the ambiguity
of her sympathies gives us something to which we can relate. She mirrors our own perspective as someone close to the action
who is nevertheless an outsider and who does not always fully understand other characters’ emotions and motivations.
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Mini Biography
Diane Lane was born on January 22, 1965, in New York. Her parents are acting coach
Burt Lane and nightclub singer/centerfold Colleen Farrington. Diane was acting from a very young age and made her stage debut
at the age of six. Her work in such acclaimed theater productions as "The Cherry Orchard" and "Medea" led to her being called
to Hollywood. She was 13 when she was cast by director George Roy Hill in his wonderful 1979 film A Little Romance (1979),
opposite Sir Laurence Olivier. The film only did so-so commercially, but Olivier praised his young co-star, calling her the
new Grace Kelly. After her well-received debut, Diane found herself on magazine covers all over the world, including "Time",
which declared her the "new young acting sensation". However, things quietened down a bit, as she found herself in such critical
and financial flops as Touched by Love (1980), Cattle Annie and Little Britches (1981), National Lampoon Goes to the Movies
(1982), Ladies and Gentlemen, the Fabulous Stains (1981) and, most unmemorably, Six Pack (1982), all of which failed to set
her career on fire.
She also made several TV movies during this period, but it was in 1983 that she finally began to
fulfill the promise of stardom that had earlier been predicted for her. Acclaimed director Francis Ford Coppola took note
of Diane's appeal and cast her in two "youth"-oriented films based on S.E. Hinton novels. Indeed, Rumble Fish (1983) and The
Outsiders (1983) have become cult classics and resulted in her getting a loyal fan base. The industry was now taking notice
of Diane Lane, and she soon secured lead roles in three big-budget studio epics. She turned down the first, Splash (1984)
(which was a surprise hit for Daryl Hannah). Unfortunately, the other two were critical and box-office bombs: Walter Hill's
glossy rock 'n' roll fable Streets of Fire (1984) was not the huge summer success that many had thought it would be, and the
massively troubled Coppola epic The Cotton Club (1984) co-starring Richard Gere was also a high-profile flop. The back-to-back
failure of both of these films could have ended her career there and then--but thankfully it didn't. Possibly "burned out"
by the lambasting these films received and unhappy with the direction her career was taking, she "retired" from the film business
at age 19, saying that she had forgotten what she had started acting for. She stayed away from the screen for the next three
years. Ironically, the two films that were the main causes of her "retirement" have since grown in popularity, and "Streets
of Fire" especially seems to have found the kind of audience it couldn't get when it was first released.
The process
of rebuilding her career was a slow and gradual one. First came the obscure and very sexy straight-to-video thriller Lady
Beware (1987), followed by the critically acclaimed but little seen The Big Town (1987) with Matt Dillon and Tommy Lee Jones.
In the former, Diane plays a very mysterious and sexy stripper and her memorable strip sequence is a highlight of the film.
Despite her sexy new on-screen image, it wasn't until 1989's smash hit TV mini-series "Lonesome Dove" (1989) (mini) that Diane
made another big impression on a sizable audience. Her performance in the hugely popular and critically acclaimed western
epic as a vulnerable "whore with a heart" won her an Emmy nomination and much praise. Film producers were interested in her
again. Another well-received TV production, Descending Angel (1990) (TV), was followed by smaller roles in major films like
Richard Attenborough's Chaplin (1992) and Mike Binder's Indian Summer (1993), and larger parts in small independent films
like My New Gun (1992), Vital Signs (1990) and Knight Moves (1992). Indeed, the latter two films co-starred her then-husband,
Christopher Lambert, with whom she had a daughter named Eleanor.
Diane was now re-established in Hollywood and started
to appear in higher-profile co-starring roles in some big-budget, major movies like Walter Hill's Wild Bill (1995), the Sylvester
Stallone actioner Judge Dredd (1995), the Robin Williams's comedy Jack (1996) and Murder at 1600 (1997) co-starring Wesley
Snipes. However, all of these still did not quite make Diane a "big-name star" and, by 1997, she found herself, possibly by
choice, back in smaller, personal projects.
Her next role as a frustrated 1960s housewife in the independent hit A
Walk on the Moon (1999) deservedly won her rave notices and, at last, gave her career the big lift it needed. The cute but
tear-jerking comedy My Dog Skip (2000) also proved to be a small-scale success. However, it was the £330-million worldwide
grossing blockbuster hit The Perfect Storm (2000) that finally made Diane Lane the household name that she always should have
been.
After the worldwide success of "The Perfect Storm", she was more in demand than ever. She played Leelee Sobieski's
sinister junkie guardian in the slick thriller The Glass House (2001), and co-starred with Keanu Reeves in the #1 smash hit
Hard Ball (2001). However, her greatest career moment was still to come with her lead role in the enormous critical and commercial
hit Unfaithful (2002), in which she superbly portrayed Richard Gere's adulterous wife. Her performance won the respect of
critics and audiences alike.
She is very well regarded within the industry, adored by film fans, and has a credibility
and quality that is all too rare today. Her immense talent at playing human and real characters, her "drop dead gorgeous"
beauty and down-to-earth grittiness guarantees that she will stay on top, and she guarantee has already shown the kind of
resilience that will keep her working for a long, long time
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Unfaithful (2002) .... Connie Sumner ... aka Infidèle (France) ... aka Untreu (Germany)
Hard Ball (2001) .... Elizabeth Wilkes ... aka Hardball (Germany) (USA: alternative spelling)
Mad Dog Time (1996) .... Grace Everly ... aka Trigger Happy (UK)
Jack (1996) .... Karen Powell
Indian Summer (1993) .... Beth Warden/Clair Everett (flashback) ... aka Été indien, L' (Canada: French
title)
Chaplin (1992) .... Paulette Goddard ... aka Charlot (Italy)
Rakuyô (1992) .... Cho Renko ... aka The Setting Sun (International: English title)
Knight Moves (1992) .... Kathy Sheppard ... aka Face to Face ... aka Knight Moves (Germany) ...
aka Knight Moves - Ein mörderisches Spiel (Germany)
Love Dream (1988) .... China ... aka Priceless Beauty (Philippines: English title) (USA)
The Outsiders (1983) .... Sherri 'Cherry' Valance ... aka The Outsiders - The Complete Novel (USA: director's
cut)
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